Beauty Tips
NATURAL ORDER
Spring/Summer 2012 Runway Looks
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REDKEN RUNWAY LOOKS 2012
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DEFINED SHAPES WITH AN ARTISTIC APPEAL Whether sculpted into a high-drama updo or woven into intricate braids, this season’s styles were all about strong shapes. The tousled French twist seen at Marc Jacobs was a nod to the 1960s, with a hint of inspiration from the 1920s. "It’s the look of a girl who was dancing all night,"
NATURAL TEXTURE-WITH A BIT OF AN EDGE Think of it as texture with a point of view—tough, chic and utterly cool. Casual-cool was the look at Balenciaga. "It’s as if a girl is wearing the most amazingly designed clothes, but hasn’t bothered with her hair,"
DEFINED SHAPES WITH AN ARTISTIC APPEAL Whether sculpted into a high-drama updo or woven into intricate braids, this season’s styles were all about strong shapes. The tousled French twist seen at Marc Jacobs was a nod to the 1960s, with a hint of inspiration from the 1920s. "It’s the look of a girl who was dancing all night,"
WATER BABIES
Spring/Summer 2012 Runway Looks
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A NEW SPIN ON WET LOOKS, WITH ADDED TEXTURE This season, wet looks weren’t just about slicked-back hair. This season’s styles had texture, body and movement—for style that’s anything but watered down. The low ponytail seen at Diesel was inspired by a French girl’s hairstyle in the 1980s. "It’s easy and effortless, like she’s just come off the beach," says Guido. "It has that wet look without actually having sopping wet hair ends."
A NEW SPIN ON WET LOOKS, WITH ADDED TEXTURE This season, wet looks weren’t just about slicked-back hair. This season’s styles had texture, body and movement—for style that’s anything but watered down. At Bottega Veneta, Guido created a chic fresh-from-the-pool knot. "It’s sexy, summery and uncomplicated," he says.
DEFINED SHAPES WITH AN ARTISTIC APPEAL Whether sculpted into a high-drama updo or woven into intricate braids, this season’s styles were all about strong shapes. As anyone who follows fashion knows, braids are here to stay. The braided updo Guido created at Valentino epitomized the beauty and elegance of this timeless style.
A NEW SPIN ON WET LOOKS, WITH ADDED TEXTURE This season, wet looks weren’t just about slicked-back hair. This season’s styles had texture, body and movement—for style that’s anything but watered down. The low ponytail seen at Diesel was inspired by a French girl’s hairstyle in the 1980s. "It’s easy and effortless, like she’s just come off the beach," says Guido. "It has that wet look without actually having sopping wet hair ends."
GREAT LENGTHS
Spring/Summer 2012 Runway Looks
Get these looks with Redken Products
STYLES THAT MAKE THE MOST OF LONGER LOCKS Whether wavy or straight, hair that’s worn down has undeniable elegance. "This style is always in fashion—it’s about updating it in new ways," Guido says. The healthy, shiny hair seen at Sonia Rykiel is something every woman wants. "It’s 1940s meets 1970s, very flirty and pretty,"
STYLES THAT MAKE THE MOST OF LONGER LOCKS Whether wavy or straight, hair that’s worn down has undeniable elegance. "This style is always in fashion—it’s about updating it in new ways," Sometimes, nothing but the perfect blow-dry will do. That was exactly the look seen at D & G, where models’ bouncy blow-outs stole the show.
STYLES THAT MAKE THE MOST OF LONGER LOCKS Whether wavy or straight, hair that’s worn down has undeniable elegance. "This style is always in fashion—it’s about updating it in new ways," Guido says. Inspired by the "minimal and controlled" aesthetic of the house, the look at Akris was clean and defined.
STYLES THAT MAKE THE MOST OF LONGER LOCKS Whether wavy or straight, hair that’s worn down has undeniable elegance. "This style is always in fashion—it’s about updating it in new ways," Guido says. The healthy, shiny hair seen at Sonia Rykiel is something every woman wants. "It’s 1940s meets 1970s, very flirty and pretty,"
“This Spring/Summer 2012 season was all about natural beauty, which was reinvented in modern ways. Each city had its own distinct personality—in New York we saw more casual and sporty hair, Milan had a very rich feeling, and in Paris we stepped out a bit more and really pushed the envelope.”
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